DONALD
ROSS
210L Lind Hall, (612) 625-5585
rossj001@tc.umn.edu
Department of English, University of Minnesota
"Differences, Genres, and Influences," Style, 11 (1977),
262-73. Reprinted in Literary Computing and Literary Criticism:
Theoretical Essays on Theme and Rhetoric, ed. R. Potter
(Philadelphia, Univ. of Pennsylvania Press, 1989), pp. 45-59.
A broadly-defined stylistics is the only discipline which directly
treats the artistic elements of literary texts. Histories of ideas or
of authors' lives are not directly related to literary art. A history
of styles would involve the intensive study of the language in
several literary works, although no linguistic feature has an
intrinsic aesthetic merit, nor is it an index of the author's
personality or the work's success. Style, in this context, involves
first translating linguistic features into some "mapping"
language-metrical scansion is the most familiar example.
Generalization, often using statistical techniques, would be the
basic information from which to make the account of how texts were
written at various times. One immediate problem for such a history is
to sort out those linguistic features which are dictated by the genre
from those clearly attributable to the individual author. Statistical
analysis of data gathered by Josephine Miles reveals a general rise
in the proportion of nouns and fall in the proportion of verbs for
English poetry since Chaucer's time; adjectives rise quite sharply
until the eighteenth century, an era of couplets and blank verse,
then decline slightly upon the return to more traditional genres.
Other, less comprehensive studies seem to reveal the pervasive extent
to which the choice of a genre affects an author's language.
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