The College of Liberal Arts Mentor Program allows students the opportunity to gain real-world perspectives from professionals in various careers and industries. To learn more, go to the Career & Community Learning Center's Mentor Program.
What is our new Assistant Professor Amit Yahav reading (besides the 18th century)? What new books are out from faculty, students, and alums? How is English participating in Northrop Auditorium's Grand Reopening? Find out in the new issue of our alumnae/i newsletter, e-Quarterly.03/10/14
Nadia B. Hasan (BA 2002; JD 2006) braved her father's disappointment when she chose to major in English; he preferred pre-med or engineering. But her degree prepared her for the reading and analytic rigor of the University of Minnesota Law School and nine years thus far of law practice, first with Johnson & Condon, then Hinshaw & Culbertson, and since last summer in the Minneapolis office of Cozen O'Connor. These days, she notes with amusement, her dad claims he was the one who suggested English. Read more.02/06/14
How many first-time screen actors get to go to Sundance Film Festival with one of the buzziest films in competition? Naomi Ko (BA 2011) was busy January in Park City, Utah, with press interviews, brunches, luncheons, and parties around the acclaimed feature Dear White People (which was filmed on the U campus). Since graduating, Ko has acted and written for such local theaters as Mixed Blood, Theatre in the Round, Mu Performing Arts, and Bedlam. Last August, Ko heard from a theater producer she'd worked with, Jamil Jude, about movie auditions taking place the next day. Ko went, and she was the only cast member to win a principal role without an agent. The film follows four African American students at an East Coast private college. According to its director, Justin Simien, the film is "about the difference between how the mass culture responds to a person because of their race and who they understand themselves to truly be." Though the Asian American experience has been well-represented in theater, says Ko, there's as yet no Asian American film equivalent to DWP. "I'm working on one," she promises. Read more.
When Shae Moloney (BA) graduated in 2012, she was aiming for a career as an editor and writer, but she hadn't explored where she might find such work. Within three months she had secured a job that included editing and writing. The field was unexpected: human resources. She admits to nervously anticipating beastly labor-management brawls. But these days you can find her waxing cheerfully (and knowledgeably) about Family Medical Leave Act (FMLA) policy, surrounded by snarling and growling beasts of the actual, not figurative sort. Read more.01/10/14